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Archive Photos

All Hallows Moon 2020

Moon1

Categories
Archive TV

Be Water, My Friend…

I can tell you, almost to the minute, when I became in my heart a true martial artist. It was around 40 minutes into the premiere episode of  the TV series Longstreet which aired at 9:00 PM on September 16, 1971 on the ABC network.  It happened when Bruce Lee articulated the core philosophy of what the world would soon know as his martial art, Jeet Kune Do:

I vowed in that moment to live my life by those words.  And I have failed miserably almost every day since.  But Bruce, I am told, also lived by many another Taoist aphorism, including “Fall down nine times, rise up ten.”  In my case, I would have to multiply it by a factor of at least a thousand, but you get the drift.

I include here the text of this version, which is my favorite among many:

“Empty your mind…  Be formless…shapeless…like water.  Now you put water into a cup, it becomes the cup.  Put it into a teapot, it becomes the teapot.  Now water can flow, or creep or drip or CRASH!  Be water, my friend…”

I recommend that you seek out and watch the entire episode, The Way of the Intercepting Fist, which can currently be seen on YouTube.

Categories
Animation Archive

Escape from Cross School Road

With apologies to John Carpenter and Kurt Russell. And Slim Pickens, for that matter…

Categories
Archive TV

The Philosophy of The Outer Limits (Vol. 1: Season 1 Disc 1)

My earliest recollections of pondering some of the weightier issues of Life, the Universe and Everything do not involve home, school or even church.  Rather, they center around that venerable icon of early TV sci-fi, The Outer Limits.

Among the show’s trademarks were the often eerie and pedantic pro- and epilogues delivered in the distinctive “Control Voice” of actor Vic Perrin, who also made many cameo appearances on the show, and later on Star Trek – you may particularly remember him as the voice of the precocious space probe “Nomad”.

For lack of anything better to do with my time, I’ve decided to gather them together for my own enjoyment. I begin each volume with the original pilot intro, which is somewhat longer than the edited version used thereafter, and I conclude, of course, with the majestic theme music of Dominic Frontiere.

In the beginning, these monologues were used simply to set the scene for each episode, but it wasn’t long before they were posing important and profound questions for the time – or for any time, for that matter.

I commend you to them, and hope you find something of passing value in their wisdom.

Enjoy!

Categories
Archive Humor

Now Cut That Out!

Categories
Archive TV

Three Minutes of Fun for Hardcore Trekkies!

This is too funny.  It’s an excerpt from the a-book of The Fold by Peter Clines.  If you like this clip, you will surely enjoy the rest of the book.  I heartily recommend it in whatever medium you prefer, although I love the characterizations in the audiobook.

Let me briefly set the scene:

The Good News: A bunch of DARPA eggheads have just realized that their inter-dimensional doorway really works.

The Bad News: They’ve also realized that each and every one of them is “not in Kansas anymore”: They are all from different dimensions!  I think you can intuit some of the conversations leading up to this clip, provided you know your Trek episode history!

It is, of course, a classic Trek dilemma…

Categories
Archive Humor

What Is Best In Life?

Another bit of absurdity that I can’t post directly to Facebook.  I dedicate this one to my friend John Moran, who introduced me to Oddball.

 

 

Categories
Animation Archive

Final Cut Pro X Test Footage

Muzzle flash and smoke.  Turn the sound down a bit before you play – very loud!

Categories
Archive Humor

TPS Reports

I hate it when he does this to me on Fridays!

Categories
Archive Lit

How To Make A Magic Sword

From The King of Elfland’s Daugher by Lord Dunsany.

It was scarcely dark in the valley when he left the Castle of Erl, and went so swiftly up the witch’s hill that a dim light lingered yet on its highest heaths when he came near the cottage of the one that he sought, and found her burning bones at a fire in the open. To her he said that the day of his need was come. And she bade him gather thunderbolts in her garden, in the soft earth under her cabbages.

And there with eyes that saw every minute more dimly, and fingers that grew accustomed to the thunderbolts’ curious surfaces, he found before darkness came down on him seventeen: and these he heaped into a silken kerchief and carried back to the witch.

On the grass beside her he laid those strangers to Earth. From wonderful spaces they came to her magical garden, shaken by thunder from paths that we cannot tread; and though not in themselves containing magic were well adapted to carry what magic her runes could give. She laid the thigh-bone of a materialist down, and turned to those stormy wanderers. She arranged them in one straight row by the side of her fire. And over them then she toppled the burning logs and the embers, prodding them down with the ebon stick that is the sceptre of witches, until she had deeply covered those seventeen cousins of Earth that had visited us from their etherial home. She stepped back then from her fire and stretched out her hands, and suddenly blasted it with a frightful rune. The flames leaped up in amazement. And what had been but a lonely fire in the night, with no more mystery than pertains to all such fires, flared suddenly into a thing that wanderers feared.

As the green flames, stung by her runes, leaped up, and the heat of the fire grew intenser, she stepped backwards further and further, and merely uttered her runes a little louder the further she got from the fire. She bade Alveric pile on logs, dark logs of oak that lay there cumbering the heath; and at once, as he dropped them on, the heat licked them up; and the witch went on pronouncing her louder runes, and the flames danced wild and green; and down in the embers the seventeen, whose paths had once crossed Earth’s when they wandered free, knew heat again as great as they had known, even on that desperate ride that had brought them here. And when Alveric could no longer come near the fire, and the witch was some yards from it shouting her runes, the magical flames burned all the ashes away and that portent that flared on the hill as suddenly ceased, leaving only a circle that sullenly glowed on the ground, like the evil pool that glares where thermite has burst. And flat in the glow, all liquid still, lay the sword.

The witch approached it and pared its edges with a sword that she drew from her thigh. Then she sat down beside it on the earth and sang to it while it cooled. Not like the runes that enraged the flames was the song she sang to the sword: she whose curses had blasted the fire till it shrivelled big logs of oak crooned now a melody like a wind in summer blowing from wild wood gardens that no man tended, down valleys loved once by children, now lost to them but for dreams, a song of such memories as lurk and hide along the edges of oblivion, now flashing from beautiful years of glimpse of some golden moment, now passing swiftly out of remembrance again, to go back to the shades of oblivion, and leaving on the mind those faintest traces of little shining feet which when dimly perceived by us are called regrets. She sang of old Summer noons in the time of harebells: she sang on that high dark heath a song that seemed so full of mornings and evenings preserved with all their dews by her magical craft from days that had else been lost, that Alveric wondered of each small wandering wing, that her fire had lured from the dusk, if this were the ghost of some day lost to man, called up by the force of her song from times that were fairer. And all the while the unearthly metal grew harder. The white liquid stiffened and turned red. The glow of the red dwindled. And as it cooled it narrowed: little particles came together, little crevices closed: and as they closed they seized the air about them, and with the air they caught the witch’s rune, and gripped it and held it forever. And so it was it became a magical sword. And little magic there is in English woods, from the time of anemones to the falling of leaves, that was not in the sword. And little magic there is in southern downs, that only sheep roam over and quiet shepherds, that the sword had not too. And there was scent of thyme in it and sight of lilac, and the chorus of birds that sings before dawn in April, and the deep proud splendour of rhododendrons, and the litheness and laughter of streams, and miles and miles of may. And by the time the sword was black it was all enchanted with magic.

Nobody can tell you about that sword all that there is to be told of it; for those that know of those paths of Space on which its metals once floated, till Earth caught them one by one as she sailed past on her orbit, have little time to waste on such things as magic, and so cannot tell you how the sword was made, and those who know whence poetry is, and the need that man has for song, or know any one of the fifty branches of magic, have little time to waste on such things as science, and so cannot tell you whence its ingredients came. Enough that it was once beyond our Earth and was now here amongst our mundane stones; that it was once but as those stones, and now had something in it such as soft music has; let those that can define it.